
PATHOS

"Don’t let these homeless animals die"
ETHOS
Vogler, Christopher. “The Writer’s Journey: Mythic Structure for Writers." Studio City, CA: Michael Wiese Productions, 1998 p. 49-80
Summary:
This reading was about the Threshold Guardian, the Herald, the Shapeshifter, the Shadow, the ally and the trickster. There is usually a guardian at the threshold that the hero encounters. If the guardian doesn't believe the person should be let in, then he most likely won't be let in. The hero will be better off if he learns to understand the threshold guardian so that he/she can learn how to handle them. (Vogler, pg. 49) Another archetype is the Herald, who is usually there to present the hero with a challenge. They also can announce a significant change that is about to take place. (pg. 55) Another archetype, whose nature is shifty and unstable is the shapeshifter. Shapeshifters change appearance or mood, and are difficult for the hero and the audience to figure out. (Vogler, pg. 59) Often the hero is mislead or kept guessing by the shapeshifter. (pg. 59) The Shadow is another archetype. The Shadow represents the energy of the dark side (pg. 65) Symbolically, shadows can be all the deep, dark things we secretly don't like about ourselves. (pg. 65) Usually a hero will want someone to walk with them on their journey to help them, and this is the ally. The functions they serve are companion, sparring partner, conscience, or comic relief. (pg. 71) An important part of the plot is the hero's emotions, and the ally can help bring out these emotions. Lastly, the trickster is very popular in folklore and fairy tales (pg. 77) The psychological functions they serve are that they cut big egos down to size, and bring heroes and audiences down to earth. By provoking healthy laughter they help us realize our common bonds, and they point out folly and hypocrisy. (pg. 77)
Reflection
In my opinion, the most interesting archetype is the shapeshifter. Whenever I think about shapeshifters, I think about my favorite show Roswell. You never knew if the shapeshifter was bad or good, and they were always keeping you on the edge of your seat. That is probably what I remember most about hero stories. I think the ally is also really important because it's essential to know how the hero is feeling emotionally. I also think it's really interesting to see how the hero deals with the challenges he's faced with when he comes into contact with the Threshold Guardian. That really shows a lot about the character.
Questions
1) A lot of these archetypes are essential for a good heroic story. Which ones could be left out?
2) What are some examples of Heralds that you can think of from movies/books/history you have heard about?
3) Why is it important to have a trickster in the story that brings out folly and hypocrisy?
